Friday, July 30, 2010
traveling
Tuesday, July 27, 2010
Thursday, May 20, 2010
corner view ::: collections ::: (i'm late, but i'm in again!)
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More collections:
Sunday, October 25, 2009
bloody confessions
i don't have much to show for, as i've been mostly knitting and reading the last couple of months. and watching tv, something i rarely do. and here's my confession (from one pair of fangs to another); i think i might have been bitten. just a slight touch of vampire fever, nothing bad. or - is watching the same episode of true blood three times bad?? oh, please don't answer that. but that's not the real confession. since we're still at season one, and only get to see one episode a week, i had to get my vampire kicks elsewhere while waiting for the next episode. so i read the first twilight book. i saw the movie. then i read the second book. holy crap, that is some serious shitty literature. then why am i eagerly awaiting book number three to be released from the sweaty hands of god knows how many dozens of teenage girls, and get back behind the safe walls of the library so i can pick it up?!? why am i trying to figure out how to go see the second movie and still keep my dignity?
because of the sex. the sex that isn't there. that's what these books are about, really; the sex that isn't there. the torment, despair and erotic longing that comes from unfulfilled love. bella and edward can't have sex because of edward's strength; if he looses control, he might crush her. wow. now will you get down to business and have sex already?!?! then i read somewhere that stephanie meyer, the author, is a mormon and will not write about pre marital sex. seriously - do not make me read two more books (or are there more?) of this 'i can only kiss you so and so or else i will loose control and drain your blood' stuff. it embarrasses me to read it in public.
seeing what this does to me, i'd rather not think of what it does to teenage girls with sweaty hands.
right. 'nuf said. signing off now. *blush*
Wednesday, May 6, 2009
corner view bergen, norway: shopping

before i got to the fish market, though, i passed the self service book flea market just next to where i work. i've bought several books there. pick your books, and drop the coins into a metal pipe mounted to the wall. you decide how much you want to pay. not bad, eh?

Sunday, April 5, 2009
to give; to receive
Saturday, March 7, 2009
Friday, January 30, 2009
little laura in the hood
(or maybe i should just stop giving her what she wants all the time. now that's a thought.)
Thursday, July 31, 2008
garmann's summer

stian hole is a norwegian illustrator and author of children's books (and no, it doesn't read hole, but more like hoo-lé). Published in ten languages, Garmann's Summer was the recipient of the 2007 BolognaRagazzi Award, one of the most prestigious international prizes for excellence in children's book publishing. the book is about a young boy afraid of starting school, who, while spending his summer with his parents and his three elderly aunts, discovers that adults also have fears.
when i first laid eyes on this book in the bookstore, i immediately fell in love. i love his illustrations. some say repulsive, others say brilliant. and then, the story turns out to be a gem as well.you can get this book at amazon, and there you can also read a really long and really good review of it. i have taken the liberty to copypaste some of it here:
(...) when a book like "Garmann's Summer" plops down on your lap, your initial instinct is to reject it. "It looks weird!" "What's this book about?" "Why's he look like that?" It's a knee-jerk series of reactions. Only when you slow down, read the book fully, and think about it do you realize that maybe there's room in this world for a small unassuming Norwegian tale about a boy's thoughts on death, age, fear, and losing your baby teeth. Children, as odd as it sounds, are not adverse to age-appropriate emotional complexity.
(...) What it does have is a quietness. A patience. From the start, the story acknowledges that sometimes the only grown-ups six-year-olds can really connect with are the elderly. It's almost as if at a certain point, old people have gained enough wisdom to talk to small people AND tall people in meaningful ways. Maybe that's what it means to be wise.
(...) All these books tap into children's anxieties and worries. What "Garmann's Summer" does so deftly is tie an understandable fear (the first day of school) into grown-up fears (leaving, death, messing up) and in doing so shows kids that all human beings are afraid of something. Now in an American title this would mean that the book would inevitably end with a neat and tidy resolution. Somehow the message of "there's nothing to be afraid of" would filter in and everything would be hunky dory by they tale's end. There are many reasons to believe while reading "Garmann's Summer" that it was not originally produced in America, but the clearest of these is the ending. The very last four sentences of the book are, "From the corner of his eye he sees the first leaf falling from the apple tree. Before going to bed he checks his teeth one last time to see if any are loose. Thirteen hours to go before school starts. And Garmann is scared." The thing is, this isn't seen as a good or bad thing, but a fact. The accompanying image is of Garmann looking at a windowsill, his packed backpack on the floor behind him. It's a wistful kind of ending. One that assures children, without saying too much, that they are not alone in their fears. Everyone is scared of something.
(...) Stian Hole's words are one matter. His illustrations, the first thing people react to upon seeing this book, are another. On a first reading I was initially repulsed by how different the images were from anything else I'd ever seen. A kind of mixed-media collage of photographs, drawings, and retro images, some adults have a hard time with this book. I'd love to pinpoint exactly why this is. For some of them, maybe it has to do with the three aunts. Hole doesn't beautify their wrinkles or pretty up their age.
(...) None of this is to say that the book is for everyone. It isn't. There will be a lot of parents that eye the cover warily when you hand it to them, smile, and place it gently back on the shelf again. But a book like "Garmann's Summer" teaches us that not everyone in this world is alike. Sometimes you're going to find creative adults who are willing to read this story, love it, and pass it on to their children who will (in turn) read the book and love it too. I receive a lot of books for review and I keep almost none of them. "Garmann's Summer", however, is one of the few I will keep until my children (whenever I have them) are old enough to go to school. Like nothing you've ever read before, this is the very definition of a beautiful children's picture book. Highly recommended.
